I was pushed into STEM hard at school, ‘cos I was fairly good at it! But I also suddenly gained an interest in music and pop culture and the analysis of it, which proceeded to occupy about 110% of my brain for much of my twenties. I struck out in tertiary education repeatedly attempting to get a STEMish qualification, and what actual paying work I got was music journalism (which to be honest I enjoyed even the tedious bits of), public servant or just plain office drone. I was a hot prospect for an underpaid overworked career as a paperpusher and/or bullshitter on the nonprofit/NGO circuit until I remembered I could work these computer things and got on the rather more lucrative career path.
Would I be happier as a severely insecure and underpaid humanities academic, writing probably much the same sort of stuff as I do now but more of it and showing more of my references? (the really good thing about music journalism is the freedom to be a primary source.) Well, I’d have a lot more fun with it. OTOH I eat vastly better on this path.
Though I am quite unlikely to become a pop star at 50.
You're unlikely to become a pop star at any age, and you won't fit into the typical teeny-bopper star at age 50, but.....for example, Seth McFarlane is doing rather well with his record sales, even though he's old and chubby and doesn't fit the 'typical' mold. Also, the Gorillaz. So it's something that can be done.
I was pushed into STEM hard at school, ‘cos I was fairly good at it! But I also suddenly gained an interest in music and pop culture and the analysis of it, which proceeded to occupy about 110% of my brain for much of my twenties. I struck out in tertiary education repeatedly attempting to get a STEMish qualification, and what actual paying work I got was music journalism (which to be honest I enjoyed even the tedious bits of), public servant or just plain office drone. I was a hot prospect for an underpaid overworked career as a paperpusher and/or bullshitter on the nonprofit/NGO circuit until I remembered I could work these computer things and got on the rather more lucrative career path.
Would I be happier as a severely insecure and underpaid humanities academic, writing probably much the same sort of stuff as I do now but more of it and showing more of my references? (the really good thing about music journalism is the freedom to be a primary source.) Well, I’d have a lot more fun with it. OTOH I eat vastly better on this path.